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Film Analysis: Sleaford Mods' Jason Williamson Assumes Role in Critical Examination at Ecstasy Generation Era

Produced by Bristol sound co-founder the musician-producer, this scabrous though slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, fuming after David kills his dog. Still, a grimly amusing standoff unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

There is only one important plot development, but it leads to a comically executed rampage on the forest trails that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

Game is in UK and Irish cinemas from November 17.

The writer

Philip Benjamin

Milan Visser is a seasoned marketing strategist with over a decade of experience in digital marketing and brand development.

GlobalMark

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